Rosemary & Co. Artists Brushes

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ARTIST SIGNATURE BRUSH SETS

Rosemary asked these leading aritists to recommend a set of brushes to other artists. Beautiful collections, and an  excellent value.

Andrew Tischler Set

Anna Mason Set (Spotters)

Anna Mason Top-Up Set

Bill Davidson Set

Bill Suys Intro Set

Camille Przewodek  Set

Casey Childs Basic Set

Daniel Keyes,  Essential List

David Kassan Brush Collection 

Debra Huse Basic Brush Set

James Richards Essential Set

Jason Sacran Set

Jeremy Lipking Collection

Johanna Mangi

Katherine Stone Set

Kathy Anderson Floral Set (Floral)

Lori Putnam 8-Brush Starter Set

Micheal Klein Botanical Set

Michelle Dunaways Basic Set

Michelle Dunaways Extended Set

Nancy Guziks's Love Brush List

Quang Ho Set

Scott Christensen Studio Set

Stephanie Birdsall Set

Timothy Rees Brush Set

Tina Garrett Set 

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ECLIPSES

All Long Handled

The  Eclipse is a synthetic mongoose which is stiffer than sable, yet softer than bristle. 

Eclipse Short Flats

Elipse Long Flats

Eclipse Filberts

Eclipse Long Filberts

The oval end can be used to both make sweeping strokes but also fine lines when held vertically.

Eclipse Combers

Eclipse Extra Long Combers

Eclipse Angulars

Because of the shape, this brush is easy to hold in the hand and ideal for blending. A popular rosemary brushes option.

Eclipse Riggers

Set 150 Eclipse for Oil and Acrylic

10 of the most popular shapes and sizes

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IVORIES

All Long Handled

"... For the oil artist who wants a brush to keep it's shape and is good to clean... A cross between the feel of Nylon and Hog Bristle, having a good spring and ... no 'spray'. Will carry a good load of oil paint unlike Nylon." 

Ivory Short Flats

Short Flats allow a much sturdier brush with a stronger "snap" creating sharper edges and control. Ideal for blocking in and impasto

Ivory Long Flats

Ivory Extra Long Flats

The longer hair results in a loose brush with little "snap"

Ivory Filberts

Ivory Long Filberts

The oval end can be used to both make sweeping strokes but also fine lines when held vertically

Ivory Pointed Rounds

The larger rounds are brilliant for laying on colour whilst the smaller rounds are ideal for finer detail

Ivory Daggers

The dagger shape is for when a tighter mark is required, very controllable.

Ivory Swords

Swords are for fine lines and to draw or sweep across. The sharp working edge and needle point allows a broad stroke with an intricate detail.

Ivory Riggers

The rigger shape is similar to a round but with much longer hair, also referred to as a "script" brush

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EVERGREENS

All Long Handled

The Rosemary & Co. Evergreen range is composed of 100% synthetic fibres which give the brushes spring and snap. The Evergreen brushes make precise brush marks, with the short flats giving a sharp edge and the pointed rounds keeping a tight point. Softer than Ivories.

Many artists' have tested the new Evergreen Rosemary brushes range for us and have reported back "they are fantastic".

Evergreen Filberts

Evergreen Egberts

The oval end can be used to both make sweeping strokes but also fine lines when held vertically.

Evergreen Long Flats

Evergreen Extra Long Flats

The Evergreen Long Flat artists brushes allow for a precise chiseled edge, yet is a softer synthetic which makes a more delicate mark than an Ivory Long Flat.

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MASTER'S CHOICE

All Long Handled

A Rosemary & Co. brush with an interesting NATURAL hair with distinctive markings and a semi-stiff firmness of stroke, each tip having the softness of velvet. This hair is responsive and firm, yet delicate to touch. Traditionally artists brushes used with oil and acrylic, ideal for adding highlights and todfnal values. A very resilient hair which wears well.

Masters Choice Long Flats (279)

This 'Longer' style was designed and developed with the help of some of America's finest oil painters.  Thank you Morgan Weistling, Tony Pro and Jeremy Lipking.

Masters Choice Long Filbert (278)

The oval end can be used to both make sweeping strokes but also fine lines when held vertically.

Set 170 Masters Choice for Oils

A variety of 11 of the most popular Master's Choice Brushes

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PURE SABLES

All Long Handled

Ideal for watercolour and oil (the latter usually preferred on a longer handle). The natural characteristics of the hair offer a good ‘belly’ allowing liquid holding capacity greater than for example Nylon. This brush points and springs and upon touching the paper will flow and release water similar to a fountain pen. For oils a good choice when flexibility is needed, carries the paint with flow and precision.

Series 99 Pointed

Series 91 Filbert

Pure Sable Series #93 Spotter Set

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SPECIALTY BRUSHES

Series 222 Varnish Brushes

Commonly called 'Nylon', Golden Synthetic has some unique characteristics in that its retention, snap and spring are all superb. Nice chisel edge.  All mediums.  Good wash brush.  Ideal for varnish, decoupage, glazing etc.  Fashioned on a "beaver tail" handle.

Tree and Texture Brushes

Watercolor Eradicators

Anna Mason Synthetic Spotter Set

Series 307 Golden Synthetic Spotter Set

Series #93 Pure Sable Spotter Set

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WATERCOLOR BRUSHES

Set 30

Set 50

Set 70

Set 60

Set 80

Series 307 Golden Synthetic Spotter Set

Series #93 Pure Sable Spotter Set

Anna Mason Synthetic Spotter Set

Tree and Texture Brush

Watercolor Eradicator

Micheal Klein Botanical Set

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GENERAL BRUSH SETS

A variety of excellent collections for oil, acrylic, or watercolor.

Set 150- Eclipse oils/acrylics

Set- Ivory Pochade for oils/acrylics

Set- Alla Prima: for oil

Set 170- Masters Choice for Oils

Set 30 for watercolor

Set 50 for watercolor

Set 60 for watercolor

Set 70 for watercolor

Set 80 for watercolor